Monday, February 13, 2012

This Is Not a Valentine’s Dessert


Let it be proposed that Valentine’s Day is the most unnecessary and overblown of holidays. A day dedicated to the celebration of romantic love seems about as necessary to me as a holiday honoring English-speaking communities or Protestantism – aren’t most days already dominated by these things and their looming cultural reach?  As if it didn’t suck enough to be a single adult in America the other 364 days a year, there has to be one oh-so-special day in the darkest part of winter when a huge swath of the human population is reminded of what pathetic losers they are.  And those of us who are fortunate enough to be in happy, committed relationships (such as yours truly) are badgered into believing that cheesy jewelry and heart-shaped tchochkes are the only legitimate ways to validate our commitment to each other.

Bah, humbug.

Valentine’s Day was a lot more fun in grade school, back when boys and girls considered each other gross and inscrutable. My tiny grade school had a deeply egalitarian ethos; every kid in a class exchanged a valentine with every other kid, so everyone gave and got the same number of valentines. The highlight of the holiday, back then, was the opportunity to eat sugar cookies with red sprinkles on them, collect those little candy hearts to see how many different messages you could get, and of course, eat lots of chocolate. It was also the only time of the year when the school’s art teacher let us use pink and red together. The rest of the time, she said they clashed.

In short, it was a celebration of cordiality (albeit enforced cordiality – little kids do have to be taught to be nice to each other), friendship, and food – with just enough decadence to make it memorable.

In the spirit of THAT Valentine’s Day, which I vastly prefer to the pressure-driven adult version, I’m serving for dessert this year a simple chocolate-y treat that makes enough to share with several good friends, along with that special somebody in your life (should there be such a person). It’s a riff on a Valentine’s Day chocolate shortbread recipe presented recently in the New York Times: while the original recipe featured a chocolate shortbread base topped with layers of cherry jam and chocolate ganache flavored with rum, my version switches out the jam and rum for something with an even greater aphrodisiac (and conversation-starting) effect: a hot jelly made from datil chiles, a Florida specialty.

Datils, grown commercially in the U.S. only in the area around St. Augustine, Florida, have a distinct pineapple-passionfruit-like aroma and serious chile punch that marries well with chocolate. (Any other hot, fruity jelly would produce a similar vibe.) The combination of chocolate and chiles is traditional in Mexico – indeed, some of the earliest recorded versions of chocolate drinks drunk by indigenous people there were flavored with chiles – and it’s a combination that works. And unlike those cloying supermarket chocolates in heart-shaped boxes, this chocolate treat actually tastes interesting – and is a suitable accompaniment to either a steamy relationship or a heated political debate with friends.

And this brings me to another pet peeve about Valentine’s Day: every relationship is unique, so why are we always pressured into commemorating these special bonds with the same mass-market crap as everyone else? This guy I dated, before I met my husband, used to bring me big bouquets of roses fairly frequently. “Guys get girls flowers because we can’t think of anything else,” he told me on several occasions. Wow, how romantic.

But once, he actually did come through with something personal and thoughtful, and ironically, it was the evening when we finally broke up. He was a good guy – honest and well-intentioned – but we were wrong for each other in every respect: different tastes, values, politics, and goals in life. We finally realized that we liked the idea of being together more than we actually liked each other.

The week before our breakup, I had accidently left the lights on in my car when I parked it at work, and when the workday ended, I found my battery was dead. A quick call to AAA solved the problem, but my then-boyfriend was surprised that I didn’t have a set of jumper cables in my trunk. “You could have been back on the road a lot faster if you’d just gotten a jump from someone else in the office,” he told me.

But on our last evening together, we stood, still shell-shocked at our decision, in the parking lot of his condo complex. He gave me a long hug, then ran to his car. “Wait—I have something for you,” he yelled from across the parking lot. He opened his trunk and ran back with a set of jumper cables—the ones he always kept in his trunk.

“I want you to stay safe – always,” he said, thrusting them into my hands. “I wish I could love you forever.”

And this is the story of the most romantic (pre-engagement ring) gift I ever got: a set of used jumper cables. And this is also why most Valentine’s Day propaganda makes me want to hit someone: because I understand what the spirit of love really is – and you can’t find it in a pre-printed card.

TORRID CHOCOLATE GANACHE SQUARES

This recipe is such a close adaptation from the original New York Times recipe that I’ll just provide a link to the original plus instructions for my little hack:

Bake the chocolate shortbread base as instructed in the original recipe. Replace the cherry jam with datil jelly (if you can find it) or other hot pepper jelly, preferably from a fruity chile such as a habanero. Likewise, instead of mixing two tablespoons of rum or other liquor into the finished ganache, melt two tablespoons of the datil (or other hot pepper) jelly into the cream while you’re heating it to make the ganache. Mix the heated cream with the chocolate as instructed in the recipe. Pour the ganache over the baked shortbread base, then garnish and chill as directed in the original recipe. (If you're sharing this with kids or hard-core V-Day traditionalists, top the ganache with red sugar instead of fleur de sel.) 



Friday, February 3, 2012

Let’s Lunch: Tommy’s Chili and Rock n’ Roll Dreams


It was the dawn of the 80s, and we were hard-rockin’ renegades, living life in the fast lane on the edges of the Los Angeles music scene. We were young  – I was sixteen when we started – but worldly: we were L.A. girls after all.  Yes, we’d seen and heard it all, unlike those pathetic teenage runaways on Hollywood Boulevard who came to town corn-fed and starry-eyed and ended up strung-out, destitute, and disillusioned.

We knew better. WE were going to be famous!

And we knew that becoming famous would take a lot of work. Mark, our leader, never failed to remind us of this. Mark was a motorcycle-riding veteran studio musician and a bit older than the rest of us – he was already 26 – and he liked to quote  from Jackson Browne’s song “The Load-Out ”: “Pack it up and tear it down/ They’re the first to come and last to leave/ working for that minimum wage…”

“Yeah, this is what the industry’s all about,” he’d say as we’d collapse, hot and sweaty, after yet another couple of hours hauling instrument cases, microphones, amplifiers, tangles of  second-hand extension cords and piles of sheet music down the rickety set of stairs from our rehearsal room to our van for yet another concert. “Gotta pay your dues. The music world’s cutthroat—no one will respect you unless you can carry your own weight. And you know what, guys? You’re doing it.”

In those days, we never stopped doing it. There were eight of us:  Suzanne played drums, Kentia, Maria, and/or Mark played guitar, Sandy and Sue played keyboards, Judy and Michelle provided vocals, and I played bass.  Another girl, Dana, was our permanent stage hand  -- she already had both a drivers’ license and free use of her dad’s van, both of which were essential to our existence as a functioning band. We rehearsed for several hours every weekday afternoon, and sometimes on weekends.  I heard our songs in my sleep and tapped their rhythms with my fingers as I ate or studied or watched TV. I grew thick, ladybug-shaped callouses on my fingertips from the ridged metal strings of my electric bass. I could hook that bass up to my amp and troubleshoot said amp with my eyes closed.

Performances, of course, were what we lived for. We didn’t get too many calls for paid gigs, but when we did, boy did it feel sweet. Never mind that they weren’t in the most prestigious of venues – in time, we knew we’d be on regular rotation at the Troubadour or the Roxy or some other Sunset Strip hotspot where a talent scout from a record label would certainly discover us – but, as Mark said, we were still paying our dues.

So off we went to our humble gigs. There was the charity fundraiser in the parish hall at Christ the King. And the dinner meeting of area Catholic school principals at Notre Dame High School, an especially tough crowd.  (We played only mellow instrumentals for them.)  But no matter who we played for, we gave them our all – that was part of the game plan too, according to Mark. Every performance, he said, has to be your best if you wanted to make the big time. And someday we’d be able to look back and laugh about those evenings playing half-amplified Doobie Brothers and Pat Benetar covers (had to be considerate of the neighbors!) for venues filled with nuns and squealing children. It wasn’t ideal, but it was a necessary part of our journey.

Besides, we had no choice.  Yes, we were rockers at heart, destined for stardom. But officially, we only existed for four units of fine arts credit towards our graduation. And what serious club would listen to an audition tape from an outfit officially called the Immaculate Heart High School Contemporary Band?

Mark’s hands were tied. His rock’ n’ roll dreams burned even more brightly than ours, but he couldn’t afford to lose his day job as the school’s music teacher. And because we didn’t want to lose the coolest teacher in the school, we dutifully limited ourselves to our school-sanctioned gigs.

But after our performances, we allowed our dreams to take full flight. Somehow, no matter where we had performed in town, we always ended up at the same place for dinner afterwards: Tommy’s, a beat-up hamburger joint in a seedy neighborhood close to downtown. It was cheap, open late, famous (or infamous, depending on whom you ask) for the distinctive, gut-busting chili that came with every burger, and best of all from our perspective, known to attract a racy crowd of night owls, especially musicians. In short, it was a de facto industry canteen for strivers, and we considered ourselves card-carrying members of this club. Forget boys or horses or whatever other stuff the other girls at school were into: nothing felt better to my 16-year-old self than biting down into a sloppy, shamelessly greasy Tommy’s burger late on a Saturday night, chili dripping down my arms and  bass lines still pounding in my head.  It was the taste of dreams come to fruition: I’ve just been paid to rock my heart out, and my music paid for this burger! With five bucks left over! And Mom and Dad said I’d never make money in music!

I savored every savory, goopy bite, every word of our fantastical banter about record contracts and auditions and tours. I knew there would never be another time like this in my life, and I was right. For a short while, Tommy’s oh-so-dangerous burgers weren’t the only thing that rocked in our ordinary Catholic schoolgirl lives. We did, too.

*******************************

Tommy’s burgers have been a favorite late-night post-party alcohol mop for Angelenos since the 1940s.  The recipe for Tommy’s chili – an object of passionate craving and even more passionate revulsion – remains a closely guarded secret.  Whatever’s in it, it probably won’t win any Texas chili competitions: it is clearly intended to be used as a condiment, rather than eaten as a dish by itself. It has a distinctively thick, gravy-like texture, and while it tastes distinctively of beef and chiles, it contains neither sizable pieces of meat nor any discernible chile heat (at least not to me -- but some  people do go on about how spicy it is).

Those who have attempted to back-engineer the mysterious condiment (there are many) are mostly in consensus that it involves a roux of flour deeply browned in fat, preferably beef fat. But some have suggested that the distinctly smooth, thick texture comes from boiling the ground meat in the sauce base to cook it, rather than browning it -- this will cause it to cook into a thick paste, rather than into distinct little meaty granules. I’ve decided to split the difference and use both techniques: a dark roux based on rendered fat from the cooked meat (there should be a lot of it; this isn’t a diet recipe), as well as additional ground meat simmered into submission in the dark, chili-scented sauce. Some recipes call for dried onion flakes, garlic powder, and even industrial beef patties to replicate that deliciously sleazy, fast-food taste. Others, however, point out that none of these things probably existed when Tommy’s first opened, so couldn’t have been part of the original recipe. Since I don’t keep those things around the house, I used fresh onions and garlic, as well as freshly ground beef – but as most recipes suggested, I used the fattiest, cheapest fresh ground beef I could find.

I won’t pretend that my version can pass for the original – it can’t, and I’m sure nothing can. (Tommy’s is now a small chain in the Los Angeles area; my husband and I agree that a Tommy’s burger only tastes truly right when eaten in a dangerous neighborhood after 10 p.m.) Instead, I think of my take on that chili the way I now think of my girlhood covers of those Doobie Brothers songs – a competent, agreeable, slightly more wholesome tribute to the original.

TRIBUTE TO TOMMY’S CHILI

1-1/2 pounds fatty ground beef
2 tablespoons neutral cooking oil, such as canola
4 tablespoons flour
½ cup minced onion
2 cloves garlic, minced
1 tablespoon ground cumin
2 teaspoons chili powder
1 tablespoon cayenne (or to taste)
3 cups beef broth

1.Divide the beef in half.  Heat the oil over medium-high heat in a large, heavy pot and add half the ground beef, breaking it up as you do so. Cook, stirring constantly, until the meat is brown and crumbly and no pink remains. Transfer the cooked meat to a bowl with a slotted spoon, leaving any juices and rendered fat in the pot.

2. Add the flour to the fat and juice in the pot and cook on medium high heat, stirring constantly, until the mixture turns a pale tan. Add the onions and continue to cook until the mixture turns reddish-brown. Quickly stir in the garlic and spices and cook for about a minute more, until the garlic releases its scent.

3. Add the broth and whisk until the flour mixture dissolves. Stir in the cooked beef, then the raw beef, breaking it up as you go.

4. Simmer over medium heat, stirring occasionally, until the mixture thickens and reduces. When done, it should be thick enough to coat a spoon. Taste and add salt if needed (both my beef broth and chili powder contained salt, so I didn’t need any more  -- so be sure to taste your chili before salting it).

5. Serve over cheeseburgers, hot dogs, or fries, preferably late at night in a suspect neighborhood, with good friends nearby to share the evening.

This post is part of the monthly, Twitter-based #letslunch series: on the first  (or sometimes second) Friday of every month, LetsLunchers blog about a dish or their choice based on a given theme. This month's theme is music. At least I hope it is!


 I'll try my best to post links to other LetsLunchers' posts as they come in -- check them out:


Linda at Spicebox Travels on the Buena Vista Social Club, Cuban beans and mojitos, and the Chinese diaspora


Ellise at Cowgirl Chef on Tiger Cakes, a tribute to her new favorite song, Valentine's day, and chocolate


Cathy at Slow Food Chef  on Southern chicken and dumplings, inspired by Roxie Waller.


Rashda at Hot Curries & Cold Beer on "Besame Mucho", banana bread, and memories of her father.


Patrick G. Lee on what (not) to eat during an organ concert.


Rebecca at Grongar Blog on traditional Jewish kishka and a song inspired by it.


Lisa at Monday Morning Cooking Club on Hawaiian songs and macadamia wafers


Steff at The Kitchen Trials on Garth Brooks, pina coladas, and coconut cake


Free Range Cookies on how the Bee Gees inspired the creation of gluten-free Thin Mints






Sunday, January 22, 2012

Sweetness and Luck: A Multicultural Cake for Chinese New Year


Western civilization does New Year’s celebrations all wrong.

Western New Year’s celebrations are all about looking back – and Monday morning quarterbacking is never truly satisfying. Do you really want to hear the past year’s Top 100 songs played back in ascending order of popularity, rehash every natural disaster and political scandal of the year, and re-read the obituaries of every important person who has passed on during the past twelve months? Worst of all, after the celebration itself – typically a frenzied and wildly overpriced evening on the town (look out for those sobriety checkpoints!) – there's nothing to look forward to but taking down the Christmas tree.

No wonder everyone wakes up on January 1 with a hangover.

On the other hand, Chinese New Year celebrations – which I grew up with alongside their champagne-fueled Western counterparts – are all about looking forward. Sure, the past year may have been marked by screw-ups, disasters, and disappointment, but so what?  The advent of a new year is a chance to reset the clock, get back up, and start out again from scratch – and that in itself is genuine cause for celebration.

In the days leading up to Chinese New Year (which falls on January 23 this year), houses are cleaned (to ensure a fresh start), new clothes are purchased (ditto), and decorations in lucky colors – red and gold – are put up everywhere to invite good fortune for the following year. On a trip to Singapore several years ago, my parents loaded up on gaudy bright-red New Year decorations, the likes of which they’d never seen anywhere else – a six-foot long red dragon, which they’ve taken to hanging over the dining room table, and long strings of fake red-and-gold firecrackers (including a battery-operated one that lights up and makes obnoxious popping noises when you press a button). In the years when they’ve hosted  big Chinese New Year’s parties, they’ve left the outdoors Christmas lights up to add to the festive look. (Conveniently enough, Chinese New Year typically takes place in late January or early February, which always gives us something to look forward to in those blah days after the other New Year.)

Like all worthy celebrations, Chinese New Year festivities are centered around food. But not just any food – everything eaten during this important time must contribute to one’s good luck in the following year.
This focus on securing one’s future good fortune begins the moment one wakes up on New Year’s Day. While Western custom dictates waking up every January 1 to the taste of  Alka-Selzer and regret, Chinese tradition requires that you start the new year with a taste of something sweet, to ensure sweetness in the year ahead. (I clearly remember being fed a bit of rock candy before breakfast one Chinese New Year morning during my childhood – right before a dental appointment!)

To ensure that your friends and family have an equally sweet start to their year, you must also have a pretty box of sweets – such as candied kumquats, melon, and ginger – on hand when they drop by. If they come over for lunch or dinner, traditionally lucky foods you can serve them (and yourself) include clams, lettuce, whole chickens, and pretty much anything round or orange or gold – all of which symbolize wealth and completeness.

Besides being auspicious, traditional Chinese New Year dishes can be delectable – fresh clams stir-fried with savory black-bean sauce, juicy poached or roasted chicken, and, of course, lettuce wraps – but some may be acquired tastes for those who did not grow up with them. In particular, Chinese sweets tend to be problematic for non-Asians – they’re generally a lot less sweet than Western desserts, and the bouncy, toothsome texture of some of the rice-based sweets is an unfamiliar and startling sensation for many.

Still, festive meals call for dessert, and most Chinese-Americans have plenty of non-Chinese friends who share in their celebrations (and also deserve any good luck that comes along). Since sweets in general are lucky, as are round, orange or yellow things, pretty much any sweet, round, orange or yellow thing will serve as good insurance against misfortune – this is why tangerines, oranges, and kumquats are popular New Year’s treats and decorations.

Still, pointing your non-Asian friends towards that decorative bowl of tangerines while you enjoy your sticky-rice new year’s cake is not very classy. Instead, I’d serve a dessert that pleases all constituencies involved (because this is America, doggone it!). This almond cake topped with candied orange slices (inspired by a Mexican almond cake by Paty Jinich) has all bases covered: It’s round. It’s orange. It’s laden with an exceptionally lucky fruit.  The cake is sweet but not too sweet, with a moist, tender texture that will please everyone at your table. And if any of your New Year’s guests are avoiding gluten, you’re also safe: the cake is also flourless and gluten-free.

Back in high school, one of my English teachers gave a fantastically depressing lecture about New Year’s Eve. He told us that it was a profoundly sad occasion because that’s the time when people reflect upon the failures and disappointments of the past year and realize they’re a year older and they’ll never get that time back. Nobody actually enjoys all those big parties and all that champagne, he said. All they’re doing is trying to hide from the pain.

Speak for yourself, dude.
****************************
This cake takes as its point of departure Paty Jinich’s version of a Mexican convent sweet – a flourless almond cake topped with a marmalade glaze. To make this simple cake prettier and more festive, I’ve replaced the original marmalade topping with candied orange slices (based on a surprisingly easy recipe from Food and Wine), and replaced the original port flavoring in the cake with a mixture of orange juice and orange flower water.

FLOURLESS ALMOND CAKE WITH CANDIED ORANGES

For the cake:
2 cups blanched almonds
¾ cup sugar
4 eggs
½ cup (1 stick) butter, at room temperature
1 tablespoon vanilla extract
2 teaspoons fresh orange juice
1 teaspoon orange flower water

For the candied oranges:
2 large navel oranges
3 cups water
1 cup sugar

Sugar for garnish (optional)

1.Butter an 8-inch round cake pan or springform pan, and cover the bottom with a circle of parchment paper. Preheat the oven to 350 degrees.

2.In a food processor, pulse the almonds and sugar together until finely ground. Add the eggs and pulse until all is thoroughly combined. Then add the vanilla, orange juice, and orange flower water. Cut the butter into chunks and add to the batter, processing until thoroughly combined.

6. Pour the batter into the prepared pan and bake until the top of the cake is golden brown and a knife inserted into the center of the cake comes out clean, about 30 minutes.

7. Allow the cake to cool for about 10 minutes before removing from the pan and cooling it completely on a wire rack.

8. To make the candied oranges: If the oranges have been waxed, dip them briefly in a pot of boiling water, then rinse and dry them thoroughly to remove the wax. Cut them crosswise into ¼-inch slices.

9. In a wide, deep skillet, combine the water and sugar and bring to a boil. Add the orange slices and cook over medium-high heat until the oranges are translucent and the liquid forms a thin syrup, about 20 minutes. Gently stir the oranges from time to time to ensure that they cook evenly.

10. Reduce the heat to medium low and continue cooking until the syrup thickens and reduces and the orange rinds are tender.

11. Once the oranges are cool enough to touch, arrange them decoratively over the top of the cake, glaze with the leftover cooking syrup, and sprinkle with extra sugar, if desired.

Friday, January 6, 2012

Let's Lunch: Low-Concept Vegetarian Chili



(This is a slightly modified repost of an earlier piece)

Anyone who has ever shared a meal with me knows I’m relentlessly curious about strange food – the weirder the dish, the more I want to try it. “This looks like something YOU would order!”  has become family shorthand for any crazy menu item featuring odd organ meats or unexpected  uses of flavorings (vanilla-flavored appetizers or cilantro-flavored desserts, anyone?)  At home, my husband knows better than to expect any dish, except for a few treasured standards, to ever taste the same way twice. All others are subject to change and revision without notice. 

Because of my passion for culinary experimentation (a.k.a., pulling random objects from the fridge and making stuff up as I go along), the dishes I come up with during my cooking frenzies tend to be high-concept and, I like to believe, subversive: Crunchy pig ears! Curried popcorn! Sugary quesadilla-like objects!

Okay, maybe “high concept” is too generous a term. “Utterly random and in need of justification” may be more accurate. Still, some of my most random accidental creations are the ones I think of most fondly. 

But on really busy nights, the comfortable, immutable standards – grilled cheese sandwiches, fried eggs on toast – come to the rescue. Alternately, I’d throw together a pared-down, quickie version of something I’d normally do a lot, lot better. On such nights, the only guiding concept behind my cooking is “lowered expectations.”

A Wednesday evening in November – Thanksgiving Eve – was such a night. The strange part was that my experiment in non-experimentation went amazingly well.

Thanksgiving Eve (is that even a real term?) is the one day of the year when Americans are officially excused from even trying to make dinner – apparently, it’s one of the biggest nights of the year for Domino’s Pizza. For me, it was also a rush day at work – a huge, last-minute, emergency project kept me glued to my computer from about nine in the morning until 8:30 that night. When I hit the SEND button for the last time that evening and finally wiped my hands of the project, I realized I had not eaten anything since breakfast but a taro-flavored mochi ball (don’t ask) and a pear. I was famished, and my husband even more so.

I had previously planned to make vegetarian chili – I had all the ingredients, and it would be a good, low-fat counterpart to all the splurge-y stuff we’d be eating in the next few days. But I hadn’t counted on that project taking so long. Whatever. I really felt like eating chili, so I just plowed ahead. No time for anything experimental or fancy or original. Just basic, pared-down, fast-as-possible chili, or something like it.

In the interest of speed, I poured a thin layer of canola oil into a heavy saucepan and set it to heat as I prepped the veggies. (Back in cooking school, we were taught to have our mise en place – prepped ingredients and equipment – fully prepared and ready to go before we even contemplated approaching the stove, but at home I’ve found that interspersing prep and cooking is even faster, if you plan things right.) 
N.B. -- these photos weren't taken Thanksgiving Eve; we were too spaced out to even think of it. And in any case, I had no idea if the recipe would work, and to be honest, didn't really care. Rather, Glenn got these shots last night when I re-created the dish and calibrated all the measurements for public consumption.

While the oil heated, I chopped up some onion and bell pepper, which seemed like common-sense things to put in chili, then tossed them into the saucepan with the hot oil, a bit of dried oregano, and some cumin seed. (I added the seeds because I couldn’t find my bottle of ground cumin – now I’m glad it went missing; the seeds add a pop and vibrancy that the ground stuff doesn’t.)

 Then I chopped half a large tomato, a clove of garlic, and half a large jalapeno pepper. I tossed these into the saucepan along with my go-to secret ingredient: a chopped chipotle en adobo, or pickled chipotle chile: these chiles add a terrific hit of sweetness, spice, and smokiness to everything, and even better, keep well for long periods in the refrigerator.

All this had taken about 15 minutes, tops. Then I opened and drained a can of red beans, poured them into the veggie mix, lowered the heat, and let it simmer until the tomatoes and other veggies had cooked down. While this was happening, I poured beers for my husband and me and put together some tasty garnishes for the chili: a cut-up avocado, some chopped onion, a bit of grated cheddar. 

My original plan that morning had been to make cornbread to go with our dinner, but there was no way that was going to happen now – my brain was too fried and I was just too tired. So I got a loaf of bread from the fridge, cut a few slices, and put them on the table with the chile garnishes. Hey, it’s not much, but it’s better than Domino’s!

Now it was just after 9:00. Yes! A nice pot of homemade chili for two in just half an hour! Now THIS was a conceptual coup.

And darn if it didn’t taste really nice – bright, spicy, not too heavy, and quite pretty with the colorful garnishes strewn over the top. It turned out so well I decided I’d make it again, without any tweaks.
Of course, every experience of discovery brings with it useful lessons for the future, and here is the lesson of my nearly-no-concept chili: Sometimes brainless, half-assed efforts pay off  big time. Thank goodness for the universe’s small favors.

LOW-CONCEPT VEGETARIAN CHILI
2 tablespoons canola or other neutral cooking oil
½ cup chopped green bell pepper
¾ cup chopped onion, plus extra for garnish
½ teaspoons cumin seed
¼ teaspoon dried oregano
1 clove garlic, minced
½ large jalapeno pepper, minced (optional – omit if you’re heat-averse)
1 cup chopped tomato (fresh or canned)
1 chopped chipotle en adobe
1 (14-ounce) can red or kidney beans
Salt to taste
Shredded cheddar cheese, for garnish
1 chopped or sliced ripe avocado, for garnish

1. Heat oil in a heavy saucepan over medium high heat. Add onions, bell pepper, cumin, and oregano and cook until vegetables are wilted, about three minutes.

2. Add garlic and jalapeno to the saucepan, cook until they soften and release their fragrance, about 2 minutes.

3. Add tomatoes, chipotle, and beans to the saucepan. Lower the heat, stir, cover, and allow to simmer, stirring occasionally, until the tomatoes have dissolved and the vegetables are soft. Taste and add salt if needed (it probably won’t need any). Serve with garnishes.

This is part of the monthly #LetsLunch series -- this month's theme is chili! Stay tuned for links to other contributions to the series; it's going to be great!




Sunday, December 25, 2011

New Year's Hot Pot: Party Food for Homebodies


(A slightly different version of this piece was published last year in Salon.com.)

If life were fair or logical at all, I should have been the queen of party girls. I grew up in the Hollywood Hills (yes, those Hollywood Hills), only a stone’s throw from the legendary party district where Joni Mitchell, Jim Morrison, and Frank Zappa started their careers. On weekends, our neighbors (never the ones my parents hung out with) held epic blowouts with valet parking and hired DJs playing the coolest new music for their glamorous friends. In recent years, my parents have taken to complaining about the noise from paparazzi helicopters hovering over Britney Spears’(embarrassingly close) house.

And I spent almost every evening of my teen years among the stars... sitting in my room. Doing algebra. Or writing essays about Julius Caesar. Or plowing through some other wholesome and useful activity that would allegedly make me into a better person. Even New Year’s Eve – the one holiday where staying up late, wearing lots of makeup, and actually leaving the house are practically legal requirements – was spent at home with Mom and Dad.

But New Year’s Eve was different. The rest of the year, Mom and Dad kept me (and to a lesser extent, my younger sisters) on a tight leash out of concerns for our safety and well-being. But on New Year’s Eve, we stayed home because of Dad’s tale of the loneliest night of his life.

Dad’s annual recollection of the loneliest night of his life was, and sometimes still is, the cornerstone of my family’s New Year’s Eve celebration. It also reminded us why we always spent the most festive night of the year barricaded in the family room in sweats and slippers.

Dad’s recitation could only occur if a few necessary conditions were met. First, the TV had to be tuned to the annual bacchanal in Times Square, preferably with Dick Clark chirping happy platitudes in the background. Second, Dad never volunteered the story. Just as a child obligatorily initiates the ritual retelling of the Passover story, it was up to us kids to jump-start the narrative that made our New Year’s Eve different from all others.

“Daddy! Daddy!” we’d yell as the soon-to-drop Times Square glitter ball filled the TV screen, “Tell us about the loneliest night of your life!”

Then he’d smile. And slowly begin his tale:

“The loneliest night of my life – It was New Year’s Eve, 1957. I’d come down to New York with a couple other interns from Temple. I didn’t know a soul in New York City.

“The other guys all had dates for New Year’s Eve. They offered to set me up with someone, but I didn’t have the money to treat a gal to dinner.

“So they all went off, wining and dining, And I was all by myself.

“I wandered around the city and ended up in Times Square. All those people, drunk and laughing. And I never felt so lonely in my whole life. Alone in the crowd.”

Then he’d sit back. And there would be a pregnant and solemn silence. For about half a second.

“Ooh, poor Daddy! You’re not lonely now, are you?”

“Yeah, you’ve got US!”

“Tchih!” Mom would mutter, rooting through the cupboards for champagne glasses.

And this was why, Dad would explain, we always spent New Year’s Eve at home: holidays meant nothing without loved ones nearby, no matter how much hype and glitter you threw at them. Ergo, nothing could be more meaningful than observing the passage of another year in the place we loved best, in the company those closest to us. Even if this meant our holiday was almost indistinguishable from every other night of the year.

The key word here is “almost.” The differences between New Year’s Eve and ordinary nights at our place were few, but significant. First, we kids were allowed to stay up until midnight, with no lectures about the virtues of going to bed early. Second, there was almost always caviar (and champagne for Mom and Dad), to be consumed as close to midnight as possible. The very idea of feasting on exotic delicacies at that forbidden hour seemed to me almost as decadent and glamorous as going out to celebrate.

And finally, we’d always have something special for dinner before our late-night festivities. It was never anything near as elaborate as our Christmas or Thanksgiving feasts – but always something out of the ordinary.

Very often, this something special was a Chinese hot pot, a brash, blinged-out version of Japanese shabu-shabu, traditionally served in the winter.

Technically, the hot pot is just soup, but its execution makes it special: it starts as a big pot of plain simmering broth in the center of the dining table (it’s kept hot over a heating unit), into which diners toss thinly sliced meat, vegetables, and seafood. Diners remove these goodies as they cook and eat them with rice and dipping sauces – typically, jarred Chinese hot sauces or simple mixes of soy sauce and sesame oil.

As the meal progresses and more ingredients are added and taken from the pot, the broth grows richer and more and more flavorful – and becomes a luscious and soothing final course when everything else has been eaten.

Another thing makes Chinese hot pot special, too: it can’t be made, nor eaten, by just one person. Nor is it a good choice for a first-date or business meal: getting all those morsels of meat and vegetables in and out of the pot and into one’s mouth entails lots of vulgar reaching across the table and occasionally, seagull-like theft from other diners. And no matter how careful you are, broth and sauce will end up dripped all over the table.

This means the only people with whom one can judiciously share a hot pot are those who you know will put up with you no matter what – which makes it scarily appropriate for an intimate celebration of family solidarity, observed at home in sweats and slippers.

CHINESE HOT POT

This dish is so simple and open-ended it doesn’t really require a recipe, just a few guidelines.

The Broth: Allow about 2 cups of broth (Mom uses canned chicken broth) per person. By tradition, the broth is heated to boiling and kept hot in a special hot pot with a chimney, as seen above.

Hot coals are traditionally tucked into the base of the pot to heat the broth. But the few times my family actually used this thing, we used canned Sterno (the same stuff used to warm chafing dishes and fondue pots). In recent years, we’ve switched to a less-evocative but more-powerful tabletop induction unit and an ordinary soup pot to hold the broth.

The Rice: Prepare about 1 cup cooked (1/2 cup raw) plain white rice per person.

The Good Stuff: Standard hot pot ingredients include thinly sliced beef (such as flank steak cut against the grain), thinly sliced chicken (dark meat is preferred over white by Chinese convention, and is cheaper too), cubes of tofu, fresh, shelled oysters, shelled and de-veined shrimp...pretty much any protein in bite-size pieces that cooks quickly in boiling broth. Asian markets often have packages of pre-sliced meat and chicken specifically for hot pot; these will cut your prep time even further if you have access to them. Allow about 1/3- ½ pound of mixed meats per diner. (This can vary, of course, depending on the appetites of the individuals you’re serving.)

Good vegetables to include in a hot pot are dark leafy things that cook quickly: spinach, or even better, water spinach or garland chrysanthemum leaves (available in Asian markets and every bit as fragrant and wonderful as their name suggests—and a perfect foil for rich broth and meats). Allow several big handfuls of these per diner, bearing in mind that these vegetables will wilt and shrink when cooked, so you’ll probably need more than you think.

The Sauces and Setup: Put the hot pot full of heated broth in the middle of your kitchen table. Don’t bother using your best tablecloth, or any tablecloth at all, for that matter. Turn on whatever heating unit you choose to use, and try to keep the broth at an active simmer. Set out a bowl, a pair of chopsticks or a fork, and a soup spoon for each diner.

If you can find them, also provide each diner with a hot pot basket (a small wire basket on a long handle, as seen in the photo above): the baskets are used to recover cooked ingredients from the pot. If you can’t find these baskets, have a couple of serving spoons available for diners to use.

Next, set out the rice and raw hot pot ingredients, as well as small dishes of Asian hot sauce (such as sriracha sauce or sambal oelek) and soy sauce mixed with a few drops of sesame oil. Then make sure you have lots of napkins.

To serve: Place some of the meats and/or seafood into the hot broth, then some of the vegetables. Instruct diners to hold their freaking horses and try to behave themselves until the meats are cooked (this should take no more than five minutes). Then allow them to extract whatever they want from the pot (Hey! No pushing! There’s plenty to go around!), to be eaten with rice and dipping sauces.

Replenish the broth with meat and vegetables as needed. When you’re out of meat and vegetables (or when everyone is too full to eat any more) spoon the broth into bowls to enjoy as a final course. By this time, it will have absorbed the savor of meat, vegetables, and good conversation, and will be a perfect cap to a New Year’s feast.

Monday, December 19, 2011

A Plumber Makes Pasta for Poets


(A slightly different version of this piece appeared in my Open Salon blog.)

I was raised to believe that it was the height of rudeness to read at the dinner table. It was not only inconsiderate to other diners, but would cause the unfortunate book brought to the table to be covered with gravy or grease stains. Both of these were unforgivable sins.

Then I discovered the lovely, subversive institution known as the college-town bookstore. Not the big, school-sponsored one on campus, with its endless supply of computer equipment, shrink-wrapped textbooks, and tchotchkes bearing the school’s mascot. Nor the smaller, parasitic bookstore just off campus, where the same textbooks, barely used, can be bought and sold for half price the following semester. The best and most interesting bookstore in any college town is always a funky place selling secondhand books and distinguished by the presence of (a) the owner’s cat, (b) beat-up second-hand furniture of suspect provenance, and/or (c) organic coffee and really thick vegetarian soups.

These stores tend to have a countercultural bent and thus allow one to violate a lot of the rules observed by Nice People. Like the dictum against dawdling too long in a retail establishment without buying anything. And the rule against reading at the table during meals.

In my current hometown of Gainesville, Florida (home of the Florida Gators – if you’re not a Gator, you’re Gator bait!) Books, Inc. fills this crucial role in the cultural ecosystem. It fills a sprawling old house near the university, is furnished with the obligatory frayed armchairs and beat-up side tables from who-knows-where, and boasts a tiny vegetarian eatery (The Book Lover’s Café) that serves sturdy earthenware mugs of soup and organic coffee to a loyal population of students, aging hippies, writing groups, and Dungeons and Dragons players. No cat, though – the place has enough interesting characters on hand that it doesn’t need one.

I’m not a hippie type. Nor am I a vegetarian. But the first time I stepped into Books, Inc., something about the scruffy, casual vibe of the place just felt good and right. And over the past few years, it has come to epitomize the best of Gainesville for me.

The cashier’s desk – a retail establishment’s place of honor – features not bestsellers and bookmarks, but an ever-changing jumble of works by local and regional writers – everything from paperbacks by nationally known locals to collections by critically acclaimed poets to self-published zines and charity cookbooks, along with books about local flora, fauna, and history. (This brings up another thing I love about this place:  While a lot of big-box outlets around here try to cop a “local” vibe by painting “GO GATORS!” in the front window and hanging a few posters of Tim Tebow, the commitment to local culture at Books, Inc. is deep and genuine – and miraculously, expressed without a hint UF orange and blue). Local writers who manage to get published also know that Books, Inc. is the place to host book-signing parties.

The store’s biggest fans, however, are the scores of would-be creative luminaries who are also nurtured and fed (both intellectually and literally) at its dozen or so mismatched tables. One of my two writing groups – the one whose members compensate for their chronic flakiness with peerless conversational skills and brilliantly incisive critiques (on the rare occasions they actually get around to reading each others' submissions) has held its weekly meetings there for the past two years, and is only one of several writing groups that regularly jockey for table space in the busy store. And all of us ate and drank, wholesomely and well, while tapping at our laptops or flipping through our manuscripts or even yet-to-be purchased volumes from the store’s shelves.

 My husband had his first-ever photography exhibition in their tiny art gallery – and every  time I came in during the time the exhibit was up,  Anne, the owner, made a point of coming up to me and telling me excitedly about how some customer or another had loved his photos. When we hosted an opening night reception in the little gallery, she mixed up a huge bowl of punch, put out hummus and chips and cookies to supplement our supply of wine and cheese, helped us set everything up, and waited along with us, as eager for Glenn’s success as we were.

At the end of the month-long exhibition, Anne told us that Glenn’s exhibition had been their most profitable in years.  He eagerly agreed to do another show in the following year. Now we were both established members of Books, Inc.’s creative community, and I envisioned Books, Inc. becoming for us what Shakespeare and Company was to Gertrude Stein and Hemingway.

Then last month, Glenn got a call from Anne.  His next show was cancelled:  She and her husband were retiring and closing the store in early 2012.

There had been a big “For Sale” sign outside Books, Inc. since forever, so I shouldn’t have been surprised.  But business inside the store seemed to go on as usual, so it was easy to not to think the unthinkable. On a couple of occasions, members of my writing group speculated about it, but we did our best to stay in a state of denial.  Surely, they couldn’t be serious about selling the place.  Maybe just the property was being sold, and the store was only renting it. Books, Inc. is so well established in the community, someone would come forward to buy it – wouldn’t they?

My writing group, to my annoyance, has recently moved our meetings to a thoroughly mediocre restaurant down the street at the request of a member who declared he didn’t like eating “rabbit food.” (This member quit soon after for unrelated reasons.) But I’m going to petition to move our next few meetings back to Books, Inc., for old times’ sake.

Some of my fondest memories of life in Gainesville will always be those writing-group meetings there – evenings of wandering conversations that typically veer from vampires to Watergate to space travel to food, Florida history, and gun control, and then back again, all fueled by tempeh Reuben sandwiches, creamy-but-cream-free soups, and a mysterious house-made fresh ginger brew that none of us have been able to replicate. On a typical evening, Lina would struggle to get her laptop connected to the store’s touch-and-go wireless network, Wes would meander about during breaks, looking for books on European history, and I would drink in the place’s signature scent of coffee, cumin, and old paper while eavesdropping on other groups of readers, writers, and diners, all having conversations just as pointless and random as ours. And yes,we read and ate and wrote and talked all at the same time. Who ever knew that quietly breaking a few rules of etiquette could be so much fun?

I need to cement as many of these memories into my brain as I can, and soon – because in a few months, that’s all I’ll have left of one of my favorite places.

**********************************************************************************
One item on the Book Lover’s Café  menu that I haven’t yet gotten around to ordering was called “Our Plumber’s Pasta.”  It seemed to be a typical college-town hippy-ish mixture of pasta, vegetables, and almonds in a sort-of-Asian-style sauce. But only after buying the Book Lovers’ Café cookbook as a souvenir recently (it was, of course, right on the cashier’s table, along with all the other local works) did I realize how true my characterization was:  the base of the dish, and the source of flavoring in the original formulation of the recipe, was a notorious student standby: instant ramen noodles and flavoring packets! But the truly novel and creative part of the recipe is that it requires no cooking whatsoever – instead, the “instant” noodles soak overnight in a soy-and-vinegar-based marinade until tender. (And according to the cookbook, the popular dish was indeed the invention of the original chef’s plumber.) Of course, I had to try my own version of it.

The book didn’t say who this plumber was. But I picture him as a bright, free-thinking UF dropout who decided he’d rather do real work with his hands than spend his life pushing paper around. More than any of the other, more conventionally wholesome dishes on the café’s menu, with their locally sourced organic ingredients, this plumber’s creation speaks loudly and clearly to a distinct sense of place: Where else could such a dish have evolved and flourished except in a community dominated by starving students and aspiring artists with dreams of far-away places and bigger things?

OUR PLUMBER’S PASTA

(Adapted from The Book Lover’s Café Cookbook, by Ian Schliefer)

Notes: The original recipe called for balsamic vinegar, but I substituted Chinese sweetened black vinegar, which has similar tangy, caramel notes and is a LOT cheaper.

For the pasta and vegetables:
3 (3.5 ounce) packages instant ramen package (according to the original recipe, all the ingredients in “Oriental”- flavored ramen are vegetarian, but check the ingredient list if this is a concern. If not, any basic flavor will work.)
1 large green bell pepper, diced
½ medium red onion, diced
½ cup red cabbage, diced
1/3 cup sliced or slivered almonds

For the marinade:
¼ cup canola oil
¾ sweetened black vinegar
1/3 cup soy sauce
1 seasoning packet from an instant ramen
I teaspoon finely grated garlic (about 1 medium clove)
1 teaspoon finely grated fresh ginger
1 cup water

Combine the marinade ingredients in a medium bowl; set aside.

Break up the cakes of ramen noodles into small pieces (about ½ inch across), and put them in a large bowl. Toss thoroughly with vegetables and marinade. (Discard remaining two flavoring packets or reserve for another use.)

Cover the bowl with plastic wrap and allow to rest, overnight, in the refrigerator. (Instant ramen noodles are already cooked; soaking them in the marinade will rehydrate them into their more familiar “cooked” form.)  Serve cold or at room temperature.




Thursday, December 8, 2011

Eating Butterflies: Festive Treats for Ordinary Days


It used to crack me up how people on TV and in magazines portrayed “four-course banquets” as the very height of festivity and luxury. I was just a boring little kid who never got to go anywhere interesting, and I’d been to more TEN-course banquets than I could count. And as Dad constantly reminded me and my sisters, we were even more fortunate than other people and their trivial roast-beef feasts, for our banquets featured the classic dishes of ancient China, and the culinary traditions of China are even older and more sophisticated and refined than those of France and Italy: Did you know, he liked to tell us, that the Chinese invented pasta, and it only got to Italy because of Marco Polo?

Banquet season for our family was whenever Grandma Lee came to visit us in Los Angeles. She was an expert and prodigious networker decades before the term was even invented, and her week-long visits involved nightly ten-course feasts, each serving seemingly hundreds of friends, relatives, and business associates in the Chinese-American community whom she just had to see. I have no idea who paid for or planned these events, but I was sure Dad was right about the proper place of Chinese cuisine in the culinary pantheon -- the food was luscious: whole, steamed fish topped with scallions and ginger, burnished marinated and roasted chicken or squab surrounded by a ring of crunchy shrimp chips that looked like disks of candy-colored Styrofoam, and tender morsels of quickly stir-fried steak in a peppery sauce, along with seven other, equally appetizing courses. It made the inevitable series of  lengthy Cantonese speeches before each meal (which even my parents said were boring and formulaic) worth it.

Only one course was inevitably disappointing at these celebratory events: dessert. No matter what exotic luxuries had come before, dessert almost always seemed to be an afterthought in Cantonese banquets. There were usually orange slices and maybe some almond or fortune cookies, and very occasionally, some vaguely sweet soup that, like a postprandial bowl of Raisin Bran, really didn’t seem sweet  or decadent enough to count as dessert. The only time when Grandma’s banquets didn’t end  anticlimactically was when the extended family met in San Francisco. This was because younger members of the local clan usually procured a rum-drenched, cream-puff-topped layer cake from Little Italy to end our otherwise authentically Chinese meals. 

Those cakes made me wish I were Italian.

“Chinese food is healthy,” Dad said when I asked him why we didn’t have good desserts like other cultures. “We’ve known for a long time that people aren’t supposed to eat a lot of sweets. Americans are just figuring that out now!”

I learned later that Western-style dessert didn’t exist as its own course in Chinese tradition, and that the few sweets that did exist were more likely to be served as snacks than with meals. (Some of these traditional snacks, such as those mildly sweet soups, got co-opted into playing the dessert role at the banquets I had attended.)  I also learned, contrary to Dad's lectures, that there do exist sweet and shamelessly unhealthful Chinese treats worth pursuing.

One of these was an occasional treat we’d use to get from Chinatown bakeries, called a butterfly cookie. It only bore the vaguest resemblance to a butterfly, and wasn’t really a cookie – rather, it was a twisted, crunchy deep-fried confection drenched in thick, sticky sugar syrup. It was also larger than a normal cookie – about six inches long, the perfect size for getting a grade schooler’s hands completely sticky. Consistent with Chinese tradition, we never had these at the end of meals, but only as snacks – the usual routine was to buy about half a dozen of them after a weekend dim sum lunch in Chinatown, take them home in the standard-for-Chinatown pink cardboard box tied with red string, and munch on them while watching badly dubbed 1950s-era Japanese monster movies on some local independent TV station. Butterfly cookies weren’t officially special-occasion food, but like ice cream cones, they made ordinary days feel a little bit special.

The recipes for homemade butterfly cookies I’ve found differ in a couple of respects from the ones I remember seeing in Chinatown. For one, they’re much smaller (they’re generally made with fried wonton skins, which are only about 4 inches square), and almost always call for a simpler finish of powdered sugar rather than syrup. 

But for me, that sticky syrup is what made the butterfly cookies of my childhood so much fun to eat – both for the decadent sweetness it contributes, and the distinctive stickiness. The great thing about eating a properly made butterfly is that while it’s crispy and brittle, it generates very few crumbs when you break off a piece or bite into it. This is because the syrup coating will form long, almost tensile strings that will keep the shattered crunchy shards securely attached to the rest of the pastry, so none will be lost or wasted. The only mess will be from gobs of syrup on your fingers, but you can alleviate this problem by holding the butterfly with the wax-paper square on which it is typically sold.

Most likely, modern home cooks adapted the powdered sugar route because it’s easier and (arguably) prettier. But the end result will be a lot messier to eat (crumbs and powdered sugar everywhere!) and nowhere near as much fun.

When preparing this post and formulating my recipe, my South-African-born husband mentioned that butterfly cookies drenched in syrup were the standard end-of-meal treat in Chinese restaurants when he was growing up. (He remembers them being called “bow ties” rather than butterflies, but he was definitely referring to the same confection.)

So it turns out that somewhere in the world, there are Chinese restaurants that end meals with memorable sweets. As always, there is wisdom to be gleaned from the customs of others.

CHINESE BUTTERFLY COOKIES

24 wonton skins
Canola or other neutrally flavored oil for deep frying
2 cups sugar
½ cup water
2 teaspoons lemon juice

Shape the butterflies. Stack two wonton skins on top of each other (keep the remaining skins covered to keep them soft and pliable) and cut the stack in half lengthwise. Each half of the stack will form a single pastry.
Cut a 2 ½-inch long slit down the center of each stack.

Pick up one of the stacks. Fold one end of the stack towards you, push it through the front side of the slit, then pull it up through the back side of the slit. This will form two twists along the sides of the cookie.
 Repeat the cutting and folding until all the butterflies are formed. Keep the already-shaped butterflies covered with a towel to keep the wonton skins soft.

Meanwhile, heat about 2 inches of oil over medium heat in a heavy saucepan. When it is hot, drop in a test butterfly: if the oil is at the right temperature, the butterfly will immediately rise to the top and start puffing up.

When the oil is the right temperature, add as many pastries as will fit easily without touching (there should be some room around them) and fry, turning once or twice, until golden brown. Remove and drain on paper towels.


Make the syrup: Combine the water, lemon juice, and sugar in a heavy saucepan and bring to a boil over medium-high heat. (The lemon juice doesn't add much flavor; it prevents the syrup from getting crystalized.) Cook until the syrup thickens. Test the syrup by placing a small drop of it into a bowl of ice water: the syrup is ready when the drop forms a pliable, sticky ball that can be pressed flat between your fingers. When the syrup is ready, plunge the bottom of the pot into a large bowl of cold water to stop the cooking.


Dip the pastries: Using tongs, take each butterfly and dip it into the syrup, ensuring that it is completely covered. Place the dipped pastries on a baking sheet lined with waxed paper or baking parchment (do NOT put them on paper towels or they'll stick).

The butterflies can be eaten immediately, or stored in an airtight container, with layers of pastries separated by waxed paper. 

This post is part of the monthly #LetsLunch series -- this month's theme is festive sides from your family heritage. Okay, I heard it wrong and just did a random festive dish. My bad.

Here are the fine bloggers also doing lunch today: The list will be updated throughout the day as more terrific posts come in, so stay tuned!

A Cook and Her Books 
on festive  black-eyed peas and greens -- lucky food for Southerners! 

Patrick G. Lee 
(no relation, but he sounds like a fun guy!) on baby pecan pis.

HapaMama 
on fruitcake and generosity, two essential components of Christmas.


Spicebox Travels 
on Trinidadan pastelles  - Caribbean Christmas tamales -- and an easy way to make them.

 Free Range Cookies
on crunchy, crunchy salads -- made of baked veggie chips! 

A Tiger in the Kitchen 
on a Singaporean potato-and-sausage casserole, traditional at Christmas. UPDATE: This post also contains the complete, updated list of this month's #LetsLunch participants -- check it out!